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Daniel Filipacchi (born 12 January 1928) is the Chairman Emeritus of Hachette Filipacchi Médias and a renowned collector of surrealist art. ==Career== Filipacchi wrote and worked as a photographer for ''Paris Match'' from its founding in 1949 by Jean Prouvost.〔 While working at ''Paris Match'' and as a photographer for another of Prouvost's titles, ''Marie Claire''—Filipacchi would later claim never to have enjoyed taking photographs, despite earning early notoriety as a "well-mannered paparazzo"〔Dupuis, Jérôme. (Daniel Filipacchi: "Je travaille mieux la nuit et réfléchis mieux sur mon bateau" ) (English: "I work better at night and think better on my boat"), ''l'Express'', 29 February 2012. Filipacchi is quoted as saying "je peux bien le dire aujourd'hui : je n'ai jamais aimé faire des photographies." ("I can just as well say it today: I never liked taking photographs.") Accessed 25 May 2013.〕—he promoted jazz concerts and ran a record label. In the early 1960s, at a time when jazz was not played on government-owned French radio stations, Filipacchi (a widely-acknowledged jazz expert〔) and Frank Ténot hosted an immensely popular show on Europe 1 called ''Pour ceux qui aiment le jazz'' ("''For those who love jazz''"). In the 1960s, he presented a rock and roll radio show modeled after ''Dick Clark's American Bandstand'' called ''Salut les copains'' which launched the musical genre of yé-yé. The show's success led to his creation of a magazine of the same name, eventually renamed ''Salut!'', which built a circulation of one million copies. Filipacchi played American and French rock music on this radio show beginning in the early 1960s. The show and Filipacchi himself played an important role in the formation of a 1960s youth culture in France. Filipacchi acquired the venerable ''Cahiers du cinéma'' in 1964. ''Cahiers'' was in serious financial trouble and its owners convinced Filipacchi to buy a majority share in order to save it from ruin. Filipacchi hired a number of his own people and redesigned the journal to look more modern, zippy, and youth-appealing. After the revolutionary May 1968 events in France and the subsequent evolution of ''Cahiers'' into a more political forum under the influence of the Maoist director Jean-Luc Godard〔 and others, Filipacchi wanted out of the magazine and sold his share in 1969.〔 He started more magazines and acquired many others, such as ''Paris Match'' in 1976. Some were for teenage girls (such as ''Mademoiselle Age Tendre'') and others for men (such as ''Lui'',〔Aaron Latham, "Rabbit, Run", ''New York'', Nov 27, 1972, p.54〕 which Filipacchi founded in 1963 along with Jacques Lanzmann, ''Newlook'', and French editions of ''Playboy'' and ''Penthouse''〔Bill Marshall, Cristina Johnston, "France and the Americas: culture, politics, and history, a multidisciplinary encyclopedia", ''Transatlantic relations series vol.3'', ABC-CLIO, 2005, ISBN 1-85109-411-3, p.945〕〔Groueff 574〕). In February 1979 Filipacchi bought the then-defunct ''Look''. He hired Jann Wenner to run it in May 1979 but the revival was a failure and Filipacchi fired the entire staff in July 1979. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Daniel Filipacchi」の詳細全文を読む スポンサード リンク
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